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The Lost Generation | La generaci\u00F3n perdida accompanies an exhibition of the same name at the McMullen Museum of Art, Boston College. The modern artistic ceramic movement in Cuba, almost exclusively comprised of women artists (including Amelia Pel\u00E1ez, Mirta Garc\u00EDa Buch, and Mar\u00EDa Elena Jubr\u00EDas), emerged toward the end of the 1940s and continued into the next decade. The ceramicists invited Cuba\u2019s modernist protagonists, including Ren\u00E9 Portocarrero, Luis Mart\u00EDnez Pedro, and Wifredo Lam, to participate in designing ceramics at the Taller de Santiago de Las Vegas. The workshop thus became a locus for the fermentation of Cuban modernist expression.
Juan Miguel Rodr\u00EDguez de la
The Lost Generation \u2013 La generaci\u00F3n perdida \u2013 Women Ceramicists and the Cuban Avant\u2013Garde \u2013 mujeres ceramistas y la vanguardi;
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Details:An examination of the balance between modernity and tradition in Cuba\u2019s turn-of-the-century artistic evolution.
The Lost Generation | La generaci\u00F3n perdida accompanies an exhibition of the same name at the McMullen Museum of Art, Boston College. The modern artistic ceramic movement in Cuba, almost exclusively comprised of women artists (including Amelia Pel\u00E1ez, Mirta Garc\u00EDa Buch, and Mar\u00EDa Elena Jubr\u00EDas), emerged toward the end of the 1940s and continued into the next decade. The ceramicists invited Cuba\u2019s modernist protagonists, including Ren\u00E9 Portocarrero, Luis Mart\u00EDnez Pedro, and Wifredo Lam, to participate in designing ceramics at the Taller de Santiago de Las Vegas. The workshop thus became a locus for the fermentation of Cuban modernist expression.
Juan Miguel Rodr\u00EDguez de la
The Lost Generation \u2013 La generaci\u00F3n perdida \u2013 Women Ceramicists and the Cuban Avant\u2013Garde \u2013 mujeres ceramistas y la vanguardi;
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An examination of the balance between modernity and tradition in Cuba\u2019s turn-of-the-century artistic evolution.
The Lost Generation | La generaci\u00F3n perdida accompanies an exhibition of the same name at the McMullen Museum of Art, Boston College. The modern artistic ceramic movement in Cuba, almost exclusively comprised of women artists (including Amelia Pel\u00E1ez, Mirta Garc\u00EDa Buch, and Mar\u00EDa Elena Jubr\u00EDas), emerged toward the end of the 1940s and continued into the next decade. The ceramicists invited Cuba\u2019s modernist protagonists, including Ren\u00E9 Portocarrero, Luis Mart\u00EDnez Pedro, and Wifredo Lam, to participate in designing ceramics at the Taller de Santiago de Las Vegas. The workshop thus became a locus for the fermentation of Cuban modernist expression.
Juan Miguel Rodr\u00EDguez de la
The Lost Generation \u2013 La generaci\u00F3n perdida \u2013 Women Ceramicists and the Cuban Avant\u2013Garde \u2013 mujeres ceramistas y la vanguardi;
General | |
|---|---|
format | paperback |
Language | english |
Age group | Adult |
Gender | female |
Brand | McMullen Museum of Art |
type | book |
age level | adults |
Size | 25.4 x 1.78 x 25.4 cm |
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