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OSMOS Magazine: Issue 28Author(s): Cay Sophie Rabinowitz, Agnes Ferenczi, Marc Gloede, Hayett Belarbni McCarthy, Kenta Murakami, Barbara Pollack, Natalia Revko, Adam Simon, James Voorhies, Nancy Burson
Format: Paperback
Publisher: Osmos, United Kingdom
Imprint: Osmos
ISBN-13: 9781734555752, 978-1734555752
Synopsis
Photography meets painting in this issue of OSMOS, highlighting works by Michael James Fox, Wolfgang Nestler, Cynthia Hawkins and Rachel Feinstein
This is issue 28 of OSMOS magazine, an \""art magazine about the use and abuse of photography.\"" It is divided into thematic sections such as \""Portfolio,\"" \""Stories\"" and \""Reportage,\"" while other sections are more idiosyncratic: in \""Eye of the Beholder,\"" gallerists and curators discuss the talents they showcase, while \""Means to an End\"" considers the side effects of nonartistic image production. This issue features, among others: a portfolio of chemically altered photographs by Michael James Fox; essays by Marc Gl.
OSMOS Magazine: Issue 28Author(s): Cay Sophie Rabinowitz, Agnes Ferenczi, Marc Gloede, Hayett Belarbni McCarthy, Kenta Murakami, Barbara Pollack, Natalia Revko, Adam Simon, James Voorhies, Nancy Burson
Format: Paperback
Publisher: Osmos, United Kingdom
Imprint: Osmos
ISBN-13: 9781734555752, 978-1734555752
Synopsis
Photography meets painting in this issue of OSMOS, highlighting works by Michael James Fox, Wolfgang Nestler, Cynthia Hawkins and Rachel Feinstein
This is issue 28 of OSMOS magazine, an \""art magazine about the use and abuse of photography.\"" It is divided into thematic sections such as \""Portfolio,\"" \""Stories\"" and \""Reportage,\"" while other sections are more idiosyncratic: in \""Eye of the Beholder,\"" gallerists and curators discuss the talents they showcase, while \""Means to an End\"" considers the side effects of nonartistic image production. This issue features, among others: a portfolio of chemically altered photographs by Michael James Fox; essays by Marc Gl.
This site contains affiliate links for which we may be compensated.
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