Thinking About Exhibitions - 9780415115896
An anthology of writings on exhibition practice from artists, critics, curators and art historians which address the contradictions posed by museum and gallery staged exhibitions, and the challenge of staging art presentations and displays. > An anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales. > LIST OF PLATES, NOTES ON CONTRIBUTORS, ACKNOWLEDGEMENTS, INTRODUCTION, PART I: THE FUTURE OF HISTORY, 1. THE MUSEUM AND THE \u2018AHISTORICAL\u2019 EXHIBITION: the latest gimmick by the arbiters of taste, or an important cultural phenomenon?, 2. BROKERING IDENTITIES: art curators and the politics of cultural representation, 3. LARGE EXHIBITIONS: a sketch of a typology, 4. FOR EXAMPLE, DOe
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Thinking About Exhibitions - 9780415115896
An anthology of writings on exhibition practice from artists, critics, curators and art historians which address the contradictions posed by museum and gallery staged exhibitions, and the challenge of staging art presentations and displays. > An anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales. > LIST OF PLATES, NOTES ON CONTRIBUTORS, ACKNOWLEDGEMENTS, INTRODUCTION, PART I: THE FUTURE OF HISTORY, 1. THE MUSEUM AND THE \u2018AHISTORICAL\u2019 EXHIBITION: the latest gimmick by the arbiters of taste, or an important cultural phenomenon?, 2. BROKERING IDENTITIES: art curators and the politics of cultural representation, 3. LARGE EXHIBITIONS: a sketch of a typology, 4. FOR EXAMPLE, DOe
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£135.00
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Product Description
An anthology of writings on exhibition practice from artists, critics, curators and art historians which address the contradictions posed by museum and gallery staged exhibitions, and the challenge of staging art presentations and displays. > An anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales. > LIST OF PLATES, NOTES ON CONTRIBUTORS, ACKNOWLEDGEMENTS, INTRODUCTION, PART I: THE FUTURE OF HISTORY, 1. THE MUSEUM AND THE \u2018AHISTORICAL\u2019 EXHIBITION: the latest gimmick by the arbiters of taste, or an important cultural phenomenon?, 2. BROKERING IDENTITIES: art curators and the politics of cultural representation, 3. LARGE EXHIBITIONS: a sketch of a typology, 4. FOR EXAMPLE, DOe
Product Specifications
General | |
|---|---|
format | hardcover |
Language | english |
type | textbook |
Brand | Taylor & Francis |
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