BOB DYLAN Another Side Of Bob Dylan (Original Master Recording limited edition Mobile Fidelity Sound Lab 11-track stereo double album 2-LP, mastered by Krieg Wunderlich on the Gain 2 Ultra Analog System, specially plated and pressed on180-gram High-Definition Vinyl at 45RPM. The ever-evasive Bob Dylan never explicitly stated exactly what represented the "another side" of himself referenced in the title to his second 1964 record. Yet the whimsical moods, hallucinogenic prose,humorous angles, transparent mistakes, and noncommittal themes give a pretty clear idea at what the Bard hinted as he emerged from being labeled as a reluctant generation spokesperson and folk savior after releasing two highly intellectual, socially pioneering sets replete with protest songs. Dylan needed to take a breath, step back from the drama, and reevaluate his surroundings. Another Side of Bob Dylan is all that and more. Deluxe gatefold picture sleeve individually gold-foil numbered and factory sealed)TRACKLISTING AND EXTRA INFORMATIONRecorded in One Day: Whimsical Feel, Surrealist Lyrics, On-the-Fly Fluidness Grace Loosest 1960s Effort1/2" / 30 IPS analog remix master to DSD 64 to analog console to latheAs part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic album from the original master tapes and making it available on 180g 2LP. The end result is the very finest, most transparent digital stereo edition of Another Side of Bob Dylan ever produced. Be there as the Minnesota native spends the evening of June 9, 1964 in Columbia's Studio A and, displaying an openness he'd never before revealed in a formal environment, lays down the songs that compromise his fourth album.Featuring minimal editing, Another Side of Bob Dylan is naked, truthful, and whimsical. Mobile Fidelity's reissue illuminates the artist's condition – he laughs in the midst of songs, experiences a few false starts, hits a couple of bum notes, occasionally sings as if he's stumbling down a Manhattan sidewalk after having one too many at a smoky pub, prizes rawness over perfection – with microscopic accuracy. Indeed, Dylan's slightly woozy and completely playful state related to his having downed a handful of bottles of Beaujolais during the sessions.The uninhibited joie de vive is discernable in the rattling piano lines on "Black Crow Blues," seemingly subconscious ramble of the hysterical folk rhyming of "Motorpsycho Nightmare," bluesy dream sequencing throughout "I Don't Believe You," and intentionally out-of-tune yodeling during "All I Really Want to Do." On a majority of the prized set, Dylan lets his guard down, but does so in clever manners that speak to his surrealist imagination and biting wit. He possesses the rare ability to make planned strategies appear spontaneous, to challenge audiences with stinting wordplay and minimalist melodies that provide a deceptive false security.And so the apparently autobiographical and self-aware "My Back Pages," one of the earliest examples of Dylan's immersion into symbolist prose and abstract metaphor, remains controversial for its on-the-surface denouncement of his earlier condemnations of social institutions and injustices. Peeled back, the tune is a brilliant release – an essential escape hatch for Dylan to both relieve himself of unneeded pressures and distance himself from pundits. As an indelible piece of art, it succeeds in masquerading obvious meaning while simultaneously forcing listeners to question their own actions. Quintessential Dylan.As is the trifecta of relationship-themed compositions that closes the record, as well as the eternal "Chimes of Freedom," the standard that journalist Paul Williams dubbed Dylan's "Sermon on the Mount." Its inseparable conjunction of apocalyptic imagery, personal emotion, allusive lyricism, balladic alliteration, and inclusive sympathy signaled that, having already eviscerated the rules associated with pop and folk music, Dylan had just begun his assault on our consciousness, making Another Side of Bob Dylan that much more mysterious, unequivocal, and requisite.Side 1All I Really Want to DoBlack Crow BluesSpanish Harlem IncidentSide 2Chimes of FreedomI Shall Be Free, No. 10To RamonaSide 3Motorpsycho NightmareMy Back PagesI Don't Believe YouSide 4Ballad in Plain DIt Ain't Me BabeArtist - Bob Dylan (click link for complete listing)Title - Another Side Of Bob Dylan (click link for more of the same title)Year of Release - 2012Original Year of Release - 1964Format - 2-LP vinyl record set (Double LP Album)Record Label - Mobile Fidelity Sound LabCatalogue No - MFSL2-379 (click link for more)Country of Origin - United States (USA)Language - Regardless of country of origin all tracks are sung in English, unless otherwise stated in our description.Audiophile – This is an Audiophile item. Click link for similar itemsAdditional info - Sealed, Picture SleeveBarcode - 821797237918Condition - Factory sealed from new. This item is unplayed. Click here for more info.RareVinyl.com Ref No - DYL2LAN774364 Alternative Names - Bob Dilan.Related Artists - Blind Boy Grunt, Gilbert Hetherwick, Helena Springs, Jakob Dylan, The Los Angeles Gospel Choir, The New Basement Tapes, The Wallflowers.GENRES60s Rock, 70s Rock, 70s Artists, American Folk, Artist / Graphic Design, Folk, Poetry, Singer/Songwriter.ORDERINGAvailability - In Stock - Buy Now for shipping todayPostage/Shipping Cost - Add item to your basket for a postage/shipping quote. For further delivery info click hereEmail - sales@rarevinyl.com to contact our sales team.To order by phone - Call (+44) 01474815010RareVinyl.com Reference Number - DYL2LAN774364 SELL TO USGot vinyl records, CDs or music memorabilia to sell? – Sell to us at our buying site https://vinyl-wanted.com